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Emma Chichester Clark , Geraldine McCaughrean

Orchard Book of Roman Myths

YEAR: 1999

COUNTRY: United Kingdom

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Title of the work

Orchard Book of Roman Myths

Country of the First Edition

Country/countries of popularity

United Kingdom

Original Language

English

First Edition Date

1999

First Edition Details

Geraldine McCaughrean, Orchard Book of Roman Myths. London: Orchard Books, 1999, 96 pp.

ISBN

9781843623083

Genre

Illustrated works
Mythological fiction
Myths

Target Audience

Children (Children ages 9–12 )

Cover

Jacket cover for The Orchard Book of Roman Myths (c) Emma Chichester Clark, permission granted by the Laura Cecil Agency (Hachette, 1999).


Author of the Entry:

Allison Rosenblum, Bar-Ilan University, allie.rose89@gmail.com

Peer-reviewer of the Entry:

Lisa Maurice, Bar-Ilan University, lisa.maurice@biu.ac.il

Elżbieta Olechowska, University of Warsaw, elzbieta.olechowska@gmail.com 

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Leaf pattern

Title of the work

Orchard Book of Roman Myths

Country of the First Edition

Country/countries of popularity

United Kingdom

Original Language

English

First Edition Date

1999

First Edition Details

Geraldine McCaughrean, Orchard Book of Roman Myths. London: Orchard Books, 1999, 96 pp.

ISBN

9781843623083

Genre

Illustrated works
Mythological fiction
Myths

Target Audience

Children (Children ages 9–12 )

Cover

Jacket cover for The Orchard Book of Roman Myths (c) Emma Chichester Clark, permission granted by the Laura Cecil Agency (Hachette, 1999).


Author of the Entry:

Allison Rosenblum, Bar-Ilan University, allie.rose89@gmail.com

Peer-reviewer of the Entry:

Lisa Maurice, Bar-Ilan University, lisa.maurice@biu.ac.il

Elżbieta Olechowska, University of Warsaw, elzbieta.olechowska@gmail.com 

Courtesy of the Author.

Emma Chichester Clark (Illustrator)

Emma Chichester Clark is a British children's illustrator. Chichester Clark has been writing since she was five. She grew up in the Irish countryside and started illustrating at age 16. She trained in Graphic Design at the Chelsea School of Art. Originally rejected from the Royal College of Art, she began to focus on adult narrative work and, once accepted at the RCA, she switched back to illustrating children’s books. As well as collaborating with authors, Chichester Clark writes and illustrates her own picture books, notably the highly successful Blue Kangaroo series (Andersen Press Ltd.). She also won the Mother Goose Award as the most exciting newcomer to children's book illustration in 1988 for her illustration of Listen to This (1987). Chichester Clark is also writing and illustrating her own children’s books while collaborating with other authors.


Sources:

Official website (accessed: July 4, 2018).

Profile at the literature.britishcouncil.org (accessed: July 4, 2018).



Bio prepared by Allison Rosenblum, Bar-Ilan University, allie.rose89@gmail.com and Sonya Nevin, University of Roehampton, sonya.nevin@roehampton.ac.uk


Courtesy of the Author.

Geraldine McCaughrean (Author)

McCaughrean is a British novelist who currently resides in Berkshire, England. She is a prolific writer, who wrote of over 170 books – mostly children’s books but also several historical novels for adults. She won numerous awards for her books. In addition she also wrote a play for the radio and stage-plays. She grew up in North London and studied at Christ Church College of Education, Canterbury.

McCaughrean was the only author who won the Whitbread Children’s Book Award three times; she won it for her children’s novels: A Little Lower than the Angels (1987), Gold Dust (1993) and Not the End of the World (2004). 


Sources: 

Official website (accessed: May 28, 2018).

Profile at the literature.britishcouncil.org (accessed: May 28, 2018).



Bio prepared by Ayelet Peer, Bar-Ilan University, ayelet.peer@gmail.com


Summary

This is a retelling of Roman myths, meant for ages 9–12, that takes the readers through a fantastic journey of cultural transition, from Troy to Rome. It combines some tales of Greek mythology with Roman myths (Romulus and Remus, the Sibylline prophecies, Tages, Camillus, Lara, the Sabine Women, Aeneas). The chapters of the book are as follows:

Introduction: explains how the Romans translated the Greek gods, creating their own mythology where the main concept was "duty". 

1) The Olympians: how the King of the Gods made Ganymede of Troy cupbearer to the Olympians, showcasing how this King does whatever he wants and doesn’t care about humanity.

2) Chains of Love: the tumultus relations of Venus and Vulcan.

3) Dreams of Destiny: Aeneas fulfilling his destiny, escaping Troy and setting out to find Italy. 

4) To Hell and Back: the tragic love story of Aeneas and Dido. 

5) Romulus and Remus: the foundation of Rome form their divine parentage to the fratricide. 

6) Stolen Wives: a retelling of the kidnapping of the Sabine women.

7) A Wild-Goose Chase: the tale of Philemon and Baucis. 

8) Liber-ality: Falernus was extremely hospitable and was given a blessing for it by Liber, god of the countryside. 

9) Kissed by the Moon: Diana and her lover Endymion. 

10) The Man who Cut Down Trees: the tale of Erisychthon and his punishment by Ceres. 

11) Tell Tale Tit: the tale of the too chatty nymph, Lara. 

12) Burning the Books: the Sibylline prophecies. 

13) Little Old Boy: the tale of the boy Tages (the founding prophet of Etruscan religion). 

14) A Shot in the Dark: Diana and Orion. 

15) The Guardian Geese: the historical-mythological tale of Camillus, who saved Rome form the Gauls.

Throughout the book, the author includes notes about the stories, explaining more about the gods and other characters, adding historical facts as well as some cultural details to enhance the re-telling.

Analysis

The tales the author chose to include in this book demonstrate the themes of love, tragedy and reward. The bickering of the gods and their inner fights can cause fatal outcomes, as in the tale of Adonis. Yet the gods can also reward good conduct (Falernus) and harshly punish excessiveness (Erisychthon) which could be interpreted as hubris. 

It is interesting that while there is some chronological connection in the order of the tales, (in that they begin with the Trojan War and end with Camillus), this is not highly stressed and more mythological entries are inserted between the two. There is a mix of Greek mythology, albeit with Roman names (Venus and Vulcan, Diana and Adonis); these myths are not specifically related to Rome, unlike the tale of Aeneas and Dido or even Lara, the mother of the Lares. It is possible that the author wanted to give a richer background to the gods involved with the story of Rome (Venus, for example, as the mother of Aeneas). 

While in the introduction the author speaks of the emphasis on "duty" in Roman retelling of Greek myths, this part is not overtly evident from the tales. Perhaps "proper conduct" would have been a better term, in keeping with Roman morals. The transition from mythology to mythological-history is also not so clear-cut. Venus and Vulcan is a pure mythological story, while Aeneas and Dido is a tragic love story in the Aeneid, yet also treated by the Romans themselves as history, albeit not in quite in the same way as the rapture of the Sabines. The story of Camillus is strangely placed in this collection since it happened in 390 BCE and not in a mythical past. The gods were inserted into this story to make it more appropriate for the volume, and perhaps the author wanted to show that the myth continued into history; however, it feels a bit out of place here. Overall, the myths that were chosen seemed to be carefully selected, with some more obscure inclusions (Tages, the Lares). All the stories are written in an engaging manner to which the readers can easily relate.

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