As the series progresses, Edie matures more into adulthood, mentally, emotionally and physically. Part of it is her relationship with Val which also develop.
The question of identity and self-knowledge is a key motif in the series. Edie, as well as her friends, must come to term with who they are and what they want from life. Edie is torn between her birthparents and her adoptive family whom she considers her true family. Even though Edie and Mavis are unrelated by blood, their sisterhood is only getting stronger, especially as it is facing the growing challenges and the threat to Mavis’ life. Mavis makes Edie choose- to kill Zee and save her life, or spare him, knowing her sister will die. In the end, when Zee decides to kill Mavis he triggers Edie’s anger over the loss of her sister, which is stronger than any blood relation she shares with him.
The importance of family is again echoed in the character of Nico, the werewolf shifter. His mother raised him as a fierce soldier and he cannot break from her shadow, even after her death. As Edie muses, “even though she was dead, Maddox still held a lot of power over her son, and always had. I don’t think Nico had much of a chance to grow up into a loving, caring person. Maddox raised him to hate and to fight…” (p. 11).
The series portrays the Olympian gods as lustful, deceitful, and conniving. Zee becomes the greatest villain, who acts as a fascist against the Moggies (in a similar manner to Lord Voldemort and his hatred for “mud-blood” students). Zee is using his powers to humiliate the weaker students, due to his fear of them. He does not spare even his own daughter. As Edie thinks, “Mr. Zee lives by his own rules. And then makes the rest of us live by them too.” (p. 29).
In a way, the presentation of Zee in the series could almost be viewed as a kind of revenge against the mythological Zeus and his many harmful acts against mortals, especially his sexual violence against them. No wonder his fall in the book is orchestrated by the women around him, Themis, Metis and in the end, his own daughter, Edie. Zee is power hungry and lustful to a point of being a danger to those around him; he is even called “predatory” by Themis. The only gods who care for others in the series are Themis and to a lesser extent Metis, who is mainly obsessed with hurting her ex-husband. Hence we may conclude that the Olympian gods in total are described in a very negative light in the series, as the bringers of evil, discrimination and war. As Elizabeth Hale notes, there is a common trope in YA novels, “that of overcoming flawed adult authority and replacing it with a better world, in line with protagonists’ ideals” (Hale, peer-review). While in this series there are various flawed adult characters, some of them do provide guidance and direction for our heroes.
The academy does not educate students but is more interested in cultivating warriors to fight for them. In the end, when the world collapses, the academy fittingly falls as well, and Themis stays behind to rebuild it. The foundations of the academy were rotten from the start, since all the focus was on raising warriors against the monsters yet the real monsters are revealed to be the gods, especially Zee. However, while the catastrophe ensues, there is still hope. A new Zee might be found who may use his powers for good and to the benefit of all. There are no specific myths which are referred to here. As in the other books of the series, the mythological characters keep their names and attributes but they are now transformed to a new universe and are part of new stories.