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Showing 4 entries for tag: Euripides

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Natalia Kapatsoulia , Filippos Mandilaras

Aristophanes Comedies [Oi komodies tou Aristophane] (Series): The Frogs [Βάτραχοι]

The book opens with a presentation of the main characters in the plot. The Greeks, we read, believed that dead people descended to the underworld, to Hades. Dionysos, however, wanted to bring a great poet back to the world of the living. Hence, Dionysos, disguised as Herakles, made his way to Hades together with his servant, Xanthias. The real Herakles helped Dionysos with directions. When they reached a bottomless lake, Charos, who had a boat, refused to take Xanthias’ donkey on board. Th(...)

literary

COUNTRY: Greece


Natalie Haynes

Pandora's Jar: Women in Greek Myths

This book is not fiction nor a retelling of myths. It offers a literary and scholarly analysis by a well-known classicist of various female characters from Greek myth. As the author explains, "I decided I would choose ten women whose stories have been told and retold – in paintings, plays, films, operas, musicals and more – and I would show how differently they were viewed in the ancient world." [location 67].The author chose the following mythological women: Pandora, Jocas(...)

literary

COUNTRY: United Kingdom


Sharona Guri

Stories from the Greek Theatre [Sipurim Mehatheatron hayevany, סיפורים מהתיאטרון היווני]

The book offers a selection of synopses of Greek dramas , as well as an explanation about Greek theatre, including information about tragedy and comedy and different definitions relating to the theatre). There is even an historical background of 5th century BCE Athens in order to place the plays in their correct historical settings.The plays are divided by dramatist   and each has his own introduction: Aeschylus: Prometheus Bound; Agamemnon; The Suppliants; Seven against Thebes. Sophocles: (...)

literary

YEAR: 1996

COUNTRY: Israel


Wole Soyinka

The Bacchae of Euripides: A Communion Rite

Attention:+18 yearsSoyinka’s Bacchae of Euripides: A Communion Rite, an adaptation of Euripides’ Bacchae, hovers around the tragic demise of the proud king of Thebes (presented as a colonial society, marked by slavery in the text), King Pentheus, an oppressive tyrant, who, because of his pride, objects to the god of wine, Dionysus (presented as a revolutionary leader). As a result, he is punished by the god. Soyinka’s play commences with Dionysus, also called Bacchus, who clear(...)

literary

YEAR: 1974

COUNTRY: United States of America