Alexander the Great. Man, Myth, or Monster? introduces young readers to ancient history via biography. The birth to death format follows the traditions of biography, while the narrative also moves forward and backwards in parts, with the narrator recalling previous events or anticipating events that will occur later. The story is punctuated by mythic tales which are introduced as if being told to soldiers in the story. These embedded myths are well chosen to reflect what is happening in the main narrative at the point when they occur, either in theme, moral, or geography. A map of Alexander's empire opens the work and orientates the reader, and this is followed by twenty-two chapters on Alexander's life. There is approximately one large picture per chapter, rendered in black, red, and white in a stylised yet semi-realistic manner.
Chapter One, The Making of a Hero, provides an account of Alexander's birth and youth. This includes an account of Alexander's temporary banishment, a detail frequently omitted from children's books (e.g. Bingley's Alexander the Great, see entry in this database). The ultimate responsibility for King Philip's murder is left open-ended; several possibilities are put forward, and the reader is free to consider for themselves. The chapter closes with Alexander's succession.
In Chapter Two, Alexander, the Emperor, Alexander puts down rebellions to the north and to the south in Thebes. The 6,000 deaths and 30,000 enslavements of the sack of Thebes are referred to, balanced with an account of the "Lady of Timoclea", in which Alexander refrains from executing a woman who murdered the man who raped her.
Chapter Three, The Conquest Begins describes the wide variety of people following the army and introduces some of the main Companions of Alexander. Cleitus is introduced first, which establishes his importance and thus increases the impact of his murder later on. Hephaistion is introduced as Alexander's "best friend, the love of his life, Hephaistion. Like Achilles, who had loved Patroclus, Alexander loved Hephaistion." The atmosphere of life on campaign is evoked with reference to battle by day and funerals, dance, music, poetry, and dance by night. There is discussion of the fifth-century Persian Wars, and of an "inherited memory" of shame shared by the Greeks that the Persians were able to burn Athens. The story of Achilles' birth and path to war is told, preparing the reader for Alexander's arrival in Troy.
Chapter Four, Troy. The army's arrival at Troyis marked with sacrifices and celebrations. Contemporary events are mirrored to the events of the Trojan War. It is asserted (inaccurately) that the Greeks had not at that time won a battle against the Persians in "generations." More of the story of Achilles is told, closing with the warning, "Heroes, remember. Battle brings sorrow and bereavement as well as glory."
Chapter Five, Persia: On Enemy Soil opens, "Alexander was now on Persian territory, which had once belonged to Greece." A little of Persian culture is described, notably the figure of Ahura Mazda and the preference for animal and sun iconography. It is explained that some Greeks were anti-Macedonian and therefore fighting against him, with the Persian army comprising a diverse range of ethnicities. The Battle of the Granicus takes place, with General Parmenion urging caution and Alexander dynamically over-ruling. After setting up the battle tactics, the treatment of the battle becomes more immersive and novelistic, notably Alexander's brush with danger and rescue by Cleitus. The Persians request a truce, but "Alexander was in no mood to relax now"; there is some detail on the entrapment of the Greek mercenaries. This is the "true nature" of the "true warrior" Alexander, who hated betrayal; ruthless but not aimless. Detail is provided on the dedications sent to Athens.
Chapter Six, Lord of All Asia. This chapter covers the capture of Ephesus, which is accompanied by a retelling of the story of Artemis and Orion, which focuses on Apollo's deception of Artemis. The story of Alexander and the Gordion Knot is told, using the tradition of the knot cut by sword. Alexander becomes ill; Parmenion sends advice to arrest the doctor, which Alexander ignores. Darius orders a massacre at Alexander's field hospital.
In Chapter Seven, The Battle of Issus the narrative leads towards Syria, where Persian King Darius' army blocks the way. There is a dramatic account of the Battle of Issus. Darius and Alexander meet eye-to-eye on the battlefield at which point Darius cracks. Alexander is amazed by the king's riches and treats Darius' family courteously, even after they mistake Hephaistion for Alexander.
Chapter Eight, the Siege of Tyre. Alexander campaigns to capture Tyre after that city's "stubborn and valiant" rejection of Alexander's "diplomatic route." The chapter opens with an account of Heracles' life and information on the Tyrians' ancient temple of Heracles – the reason Alexander is so motivated to capture Tyre. Alexander rejects Parmenion's advice and sends a confident rejection of Darius' offer of truce.
Chapter Nine, Into Egypt. Eleven years before Alexander entered Egypt, the Persians invaded and unleashed chaos, attacking the sacred Apis. The tale of Isis and Osiris is told. Alexander takes Egypt with little resistance. He worships the Apis and assumes godhead and divine titles. He founds Alexandria and takes a glass diving bell down to the bottom of the sea. While later people are divided over whether Alexander is a "great leader" or "power-mad genocidal maniac", Alexandria is his "finest legacy."
Chapter Ten, Crossing the Tigris. Alexander captures the "heart of Darius' commercial empire."
Chapter Eleven, Gaugamela. The reader learns that, "like Agamemnon", Alexander sacrifices a human before the battle. No detail on the sacrifice is offered. Alexander features in a Homeric style arming scene, and his pre-battle speech is given in direct speech which conveys the sense of him taking hold of a disintegrating situation with the force of his charisma. An account of the battle follows, illustrated by a representation of the Pompeii mosaic of the battle. Victory confirms that Alexander is as great a general as Caesar and Napoleon.
Chapter Twelve, Babylon. The army capture the "cradle of civilisation." An account of many of the wonders of the city follows accompanied by the biblical story of Belshazzar's Feast.
Chapter Thirteen, On the Persian Throne. 300 years after Belshazzar, Alexander is now in Babylon. People have begun mixing his story with the old myths. The story of Gilgamesh and Enkidu is told. Hephaistion's (and Alexander's) deaths are anticipated by the observation that Alexander should weep now, for Hephaistion will die as did Enkidu and Patroclus.
Chapter Fourteen, Persepolis. The army needs rewarding and Persepolis is said to symbolise generations of Greek hatred of the Persians derived from the Persian burning of Athens, so Alexander lets the army free to sack the city. Mutilated Greek slaves approach Alexander; he treats them gently and grants them tax breaks. He is young and impetuous. He burns the palace down after a drunken party. He atones by restoring Cyrus the Great's tomb. He is a god and hero, he is also a beast.
Chapter Fifteen, The Death of Darius. Alexander donates his cloak to cover Darius' body. Darius was betrayed; Alexander increasingly worries about being betrayed himself. His army are realising that they are not going home. The Companion, Philotas, is executed, and his father, Parmenion, is executed in his wake. The army are enduring great physical hardships on their campaigns.
Chapter Sixteen, Samarkand. The soldiers gather round for the story of Sohrab and Rostam, a story from before the Persian Empire even existed. It is a sad story and the army are sorrowful.
Chapter Seventeen, In the Footsteps of Dionysus. Dionysus is discussed as a strange god, a mixture of bliss and savage, male and yet feminine, wild. "It could be a description of Alexander. Almost." Alexander murders Cleitus in a drunken row; he attempts to kill himself. The attempt to introduce proskynesis amongst the Macedonians is causing bad feeling, as are the promotions of senior Persians. Alexander's marriage to Roxanne follows, further alienating the Macedonians despite an impressive campaign. Alexander looks east to India.
Chapter Eighteen, India. This chapter tells the story of Vishnu and Shiva. It is said that Alexander must have loved the stories of Krishna, so like Achilles. There are further stories from the Mahabharata.
Chapter Nineteen, To the Ends of the Earth. The political features of the campaigns in India feature in this chapter, with plans developing against King Porus. Alexander is impressed by the Indian philosophers that he meets, the "priestly Brahmin". The army resent the rain and snakes. There is an exciting account of the Battle of Hydaspes, and Alexander decrees that the defeated Porus will be treated "like a king" as he requested. Alexander sulks "as Achilles had done" when he realises bitterly that his army's refusal to go on means that he will not reach the edge of the earth.
Chapter Twenty. The Journey Back. This chapter deals with the army's return march through the desert. The massacre that they unleash when Alexander is wounded is likened to massacres in the Mahabharata.
Chapter Twenty-One. The Return to Persia. Now back in Persia, Alexander regrets burning Persepolis. This is the point at which he repairs Cyrus' tomb. The weddings at Susa take place in a bid to unite cultures. Alexander experiences "rage" at the rebellion at Opis, but his charisma prevents total disaster. Hephaistion dies. The narrator speculates that there can be no happiness for Alexander from now on; the king is increasingly extravagant and given to cross-dressing. The myth of Icarus is told.
Chapter Twenty-Two. Death. Following a series of omens, Alexander dies. The narrator speculates on possible causes, including poisonings. There is a brief summary of Alexander's achievements, and reference to the "terrible silence" and grief that met his death. Was he blood-thirsty or a genius? A Persian story of Alexander's hand is told, in which the corpse of Alexander will not rest until it grasps one more handful of earth.
The narrative is followed by a passage of Arrian as Epilogue, a chronology of Alexander's career, and an index.